Overview

The Great Indian Wedding Book released its sixth edition on October 8, 2026, opening with a bridal editorial titled The Great Indian Bride. The editorial brings together ten leading Indian bridal design houses—Manish Malhotra, Falguni Shane Peacock, Abhinav Mishra, JJ Valaya, Amit Aggarwal, Ritika Mirchandani, Shantnu Nikhil Couture, Aisha Rao, Anita Dongre and Itrh—to showcase a spectrum of wedding wardrobes.

Publisher’s Vision

Atul Pandey, Publisher of The Great Indian Wedding Book and co‑founder of India’s Best Wedding Makers, explained that the aim was “to bring the best design perspectives together so a bride can look beyond a single idea of what she should wear, understand the choices available and find what connects with her.” He emphasized that bridal fashion is often the starting point for a bride’s wedding imagination.

Featured Designers and Collections

  • Manish Malhotra presented the EVARA collection, pairing zardozi and zari embroidery with sculpted silhouettes. He advised brides to let heritage inspire them and to choose pieces that retain value beyond the wedding day.
  • Abhinav Mishra introduced CRIMSON, inspired by the Rangoon flower, featuring signature mirror work, handcrafted embroidery and floral detailing in a contemporary red lehenga.
  • Shantnu Nikhil Couture offered a crimson lehenga from the Becoming line, characterized by a sculpted bodice, sweeping proportions and tonal embroidery.
  • JJ Valaya displayed Siddi, blending Indian and African influences while aiming for a rooted yet non‑nostalgic feel.
  • Ritika Mirchandani unveiled The Third Path, a collision of traditional craft and contemporary form, urging brides to prioritize comfort and individuality.
  • Aisha Rao showcased Beatrice from the Priyasi collection, a beige appliqué fishtail lehenga with a long veil, emphasizing “purposeful luxury.”
  • Anita Dongre featured the Forest Rose silk lehenga, incorporating threadwork, zari and sequins with wild‑rose motifs, encouraging brides to dress for the emotion they wish to remember.
  • Falguni Shane Peacock presented an ivory ensemble with delicate embroidery and a sheer cape, described as soft, timeless, modern and effortless for today’s bride.
  • Amit Aggarwal and Itrh also contributed designs, completing the editorial’s diverse palette of colour, cut and craftsmanship.

Creative Team

Photographer Pravin Talan, known for work across fashion, architecture and special‑forces projects, captured the editorial within the expansive interiors of Fairmont Mumbai. He described the shoot as a “lifestyle statement fusing high‑fashion, bridal couture and ultra‑modern sleek spaces,” aiming to build visual stories around confident urban women.

Styling was overseen by Tanya Ghavri, who linked the varied design approaches through jewellery, draping and a balanced relationship between outfit and accessories. She called the styling “a modern, cinematic take on Indian bridal couture.”

Hair and makeup were directed by Shradha Luthra, who emphasized cohesiveness, stating that the goal is “knowing how much to do and where to stop, rather than going overboard with any one element.”

Publication Details

The Great Indian Wedding Book is an annual coffee‑table publication covering bridal fashion, venues, food and beverage, photography, invitations, gifting and entertainment. The sixth edition begins with The Great Indian Bride and then expands to broader wedding planning choices.

Media Contact

Cresita Fernandes – Cresita@tgiwb.com – +91 8082040252

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